Today marks one week since the inaugural meeting of the Vancouver VFX/Animation steering committee. The committee comprised of senior artists who work for 4 major companies located in Vancouver will remain anonymous at this time.  The meeting was very productive with a lot to go over on next steps of unionizing. The artists are united in their resolve to bring change for the betterment of everyone working in the industry. As the scope of their work expands, the committee will also expand to add additional members.

One of the items discussed was a “Q and A” post, questions from artists to the artists on the committee. The committee has started the ball rolling:

VFX/Animation Steering Committee Q & A:

Could you lay out in simple terms the longer-term strategy for signing rep cards?

Signing a rep card is the best thing we can do right now to improve our working conditions. The more that sign up, the better our chances. Rep cards are valid for 90 days once you sign up.

1. When you start a new job, sign a card.

2. If you’re still there after 90 days, sign again (don’t worry you’ll be sent a   reminder).

3. If you work somewhere else, sign again. (you might have 2 cards going at once, 1 from your old place still valid for 90 days and 1 from your new place now– that’s cool, just keep signing)

4. Go back to step 1

The best way to is to keep signing cards every 90 days and when you start a new job.

How does the union help me if I am already at a shop that treats me well?

 If you feel well treated today that’s great. But you have to fight to keep it that way. Right now, without a union, your employer sets the terms and conditions of your employment. They can change it all tomorrow if they feel like it. We’ve all seen good places get taken over with “management”. Or good places that go bust and suddenly stop your paychecks. With a union you have the protections of the negotiated contract and the benefit of legal advocacy. You will have a voice.

Don’t make the same mistake of waiting till things get real bad to act. By then it’s too late.

What would the union be able to do regarding the misclassification of artists as IT technicians and the effects of that on OT policy, etc., if any?

Did you know by B.C labour law you should be getting 1.5x after 8hrs!

How do companies get around this? By misclassifying you as IT technicians.

In a unionized shop where artists are working under a collective agreement with overtime calculated after 8 hours. The high technology clause of Employment Standards Act does not apply. Even if you are defined as a high tech professional you will still be in the bargaining unit and get overtime after 8.

How much is the total cost exactly when signing up?

NOTHING!

Sign a rep card = $0

Until there is proper collective agreement in place, there are no dues collected.

In addition the initiation fees (usually $450) for organizing purposes are being 100 % waived.

When do I first start to pay dues and how often after that?

Only upon a successful first collective agreement are membership dues collected.

They are $320/year.

(Full payment prior to March 31 gets 10% discount, $288)

Can I cancel my membership if I want?

Yes, you can resign membership or take an honourable withdrawal which allows you to come back into membership at a later date.

What happens if I work at one union shop then go to one that isn’t? Do my union benefits or membership end?

As long as your membership dues are paid up, you remain a member regardless of where you are. You bank hours into your health benefits plan and they continue as long as there are hours in your bank. If these run out you may be able to self-pay to maintain coverage for a period of up to a year.

What happens if I return back to work at the union shop again? Do I have to sign up all over again?

If you have maintained your membership you do not need to rejoin, you are still a member. If you have taken an honourable withdrawal you would reinstate your membership.

What if I leave the country and then come back after a while? Do I have to sign up again?

Same as last question response.

If a facility organizes successfully with say for e.g. 60% of VFX artists voting for union representation, what happens to the other 40% of the people? Are they left “outside” or do they have to sign up afterward’s to benefit from results of any negotiations.

Yes they need to sign up.In a union shop members work before non-members.

Also to receive the benefits of the health and retirement plans you have to a member. In some instances, non-union artists may be “permitted” to work provided certain union requirements have been met.

What are the common scare tactics or “tricks” we might expect early on from employers that are against us organizing?

There are many tactics that a manager or supervisor may use to discourage you from joining a union. Some of these are:

Facility hires a new personnel director, who talks about “making changes” for the positive in the workplace, “we want to hear from you about any concerns and we will try to help you, it will take some time but we are listening, we’re all in this together”.

Suddenly they start paying proper overtime after 8 hours and improve conditions temporarily. “Management has decided that they want to treat you better.”

At this point they hope the interest in the union fades off and then they go back to their old ways again.

Management says the industry is highly competitive with low profit margins we simply can’t afford a union contract because we want to keep as many of you employed as possible. A union contract is a product of its time and the parties who are negotiating, it’s in everyone’s interest to keep the industry working.

Management will refer to the union in the third party, “big unions”, “union bosses” and misrepresent the union as not being in your best interests. “What do they know about VFX? They are just a technicians union.”

Jobs will be off-shored to China or India. And they can do this now too.

 

Got a question about unionizing for the Steering Committee? Email in confidence to vanvfxsteeringcommittee@gmail.com 

 

 

 

 

 

 

You have the power to help!

Posted: March 11, 2013 in Uncategorized

I have a special request to ask of you today. I have been talking to VFX professionals, artists, and animators who are not regular users of twitter or Facebook. Some don’t even have a twitter account. This means that our message to unite vfx workers to get vfx power is being bypassed or lost in voluminous social media posts and tweets. We need to use as many forms of communication as possible to reach everyone.

So here is how you can help today, tomorrow, all week long. It simple. Just take a moment on your breaks or after work to direct message or email a colleague no matter where they reside or work. Ask them if they know about the campaign. They may have questions and are reluctant to ask ‘out loud’ and you can help. Send the link to the page that Senior VFX artist Dave Rand coordinated. Send the 3.14 pi video that shows a way to get respect and dignity, achieve health and retirement benefits.  And be sure to remind your colleagues to do the same, direct message and email their friends about the campaign. You can help build the movement for vfxpower today!

#vfxunite +#vfxunion = #vfxpower

Announcement:

IATSE Local 891 will be at the grand opening of CG Masters School of 3D Animation and Visual Effects, March 9, 10am – 4pm. The grand opening ceremony is at 11am followed by mini-classes, presentations, refreshments, door prizes and industry contacts.

We will have a table with representatives on hand to answer your questions about who we are, what we do, and how you can join.

The school is easily accessed by public transit on SkyTrain.

From Vancouver:

Get off at the New Westminster Station, walk out of the gate and turn left.  You’ll be in front of Rocky Mountain Chocolate Factory.  The academy is 4 doors to the left. 

From Surrey or Burnaby/Coquitlam:

Get off at the New Westminster Station, take the escalator down, cross to the other side and take the escalator up.  Look up for Rocky Mountain Chocolate factory and the academy is 4 doors to the left.

Driving:

Park underground at #800 – 888 Carnarvon Street.  It’s a mall built around the New Westminster Skytrain at 8th street & Carnarvon.  Take escalators or elevator up to the platform level (P6).  Look up for Rocky Mountain Chocolate factory, the academy is 4 doors to the left.

Looking forward to meeting you.

Be The Change, Break The Cycle

Posted: February 26, 2013 in Uncategorized

Kudos to all the artists and supporters who made it out to the rally on Sunday in the cold rain of Vancouver and the clear skies of Los Angeles. It was a tremendous display of solidarity; vfx artists caring for one another to better their working lives.

The question now is have you reached the tipping point? Or was this a one off and everyone has gone back to work toiling away creating awesome shots, still no security or benefits, no dignity or respect. Are you going to let the cycle repeat itself? Because it will.

As I met with artists on Sunday, I heard comments like:

The studios and shops need to appreciate us.

My company treats me really good I don’t need a union.

It’s not the companies fault it’s the broken business model.

If I join the union I will lose my job.

The artists at Rhythm and Hues didn’t have a union but they still lost their jobs. I bet they aren’t feeling too appreciated now that they are owed their pay checks. It wasn’t their fault they worked for a “broken business model”. What would their situation look like right now if they had lost their job in a unionized shop?

This is how it works for US IATSE members who lose their job when a company or production folds.

It’s similar in Canada, different laws, but overall it’s the portability of benefits and the security of having the union at your back so you don’t have to fight alone for what is owed you. It’s about dignity and respect.

We all need to put food on the table, a roof over our heads, take the kids to daycare, none of this is free. Organized people = organized power aka leverage.

Now ask yourself do you want to be the change that breaks the cycle? You marched on Sunday with your colleagues, have you talked to your co-workers today? How are they feeling? How are your colleagues across town doing? Maybe you weren’t able to get to the rally, that doesn’t stop you from reaching out, getting together to talk to one and another about being the change to break the cycle.

Together We Are Stronger = #vfxunite = #vfxunion

For artists in Canada:

Vancouver

IATSE Local 891

Dusty Kelly

vfx@iatse.com

@iatse891vfx

Montreal

IATSE Local 667

Christian Lemay

christian@iatse667.com

@ChristianLemay

IATSE

Julia Neville

jneville@iatse-intl.com

@JENeville

For artists in USA

IATSE

Vanessa Holtgrewe

vholtegrewe@iatse-intl.com

@vfxunion

The Animation Guild

Steve Kaplan

skaplan@animationguild.com

@AnimGuild

Unite For Real Change

Posted: February 25, 2013 in Uncategorized

Reblogged from IATSE 891 VFX:

Hopelessness, futility, and apathy can be combated through strategic organizing. No one union leader or organizer can wave a magic wand and unionize a workplace. The YOUnion is YOU, VFX artists and technicians, who have come together to improve your working lives and professions. You believe collective action will empower you to better
your socioeconomic conditions, you also believe that it will better broader society now and for the future.

Read more… 710 more words

How to form an inside committee, isn't it time?

Dear VFX Soldier

Posted: February 24, 2013 in Uncategorized

Dear VFX Soldier:

I will be out at the Art Galley in Vancouver today joining VFX artists who are rallying in support of bringing awareness to the working conditions for VFX artists.

But I have to question your recent post. So this protest is all about film subsidies in British Columbia? I thought it was about rising up in solidarity for workers who are given no dignity or respect and are left without a pension and a paycheque, no health plan no support services for themselves and their families, working on product that generates billions of box-office dollars for the Studios (Warner Bros., Sony, etc) worldwide?

Abolishing film subsidies or even the leveling of the subsidy playing field will not result in shorter work days, overtime pay, health and retirement benefits.

Your film subsidy talking points are exaggerated and grossly oversimplify a complex issue. You continue to disproportionally target British Columbia thereby stirring up cross border animosity. Not everyone wants to work in Southern California. Its a global business.

- US domestic box office is routinely outstripped by foreign box office numbers.

- The $437 million dollar figure is not what it seems. Production companies have up to 30 months to claim a tax credit. At which time they may be claimed at anytime during that period. This budget figure is a guestimate based on what was booked, not claimed, and projected claims. I suggest you call the Finance Ministry for the analysis of the figures. Its not black and white, which is why it doesn’t fit nicely into a soundbite.

- VFX workers are not at a 60% subsidy rate. Labour performed by nonresident VFX artists is not eligible. If you live in Toronto or LA and come to Vancouver to work on a project your salary is not tax creditable.

- A WTO challenge will do nothing about tax incentives stateside

- A WTO challenge will take years in the courts and untold dollars lining the pockets of lawyers all for an unforeseeable outcome, a risky gambit.

- Columbia Tristar is owned by a giant Japanese corporation.

But I digress.

What is doable today tomorrow and next month is taking control of what you want your job to look like. Do you want healthcare, do you want overtime pay, do you want an indexed raise, do you want a credit? The WTO will not give you these. Only you can take action and organize yourselves to demand through collective bargaining what every other motion picture production worker, artist, technician, craftsperson has, a collective agreement.

Have fun today but bear in mind the public cares more about you as a person getting screwed out of healthcare and proper pay and the expensive movie tickets than tax credits in Louisiana, New York, London, Australia and yes British Columbia.

Together We Are Stronger

In the past week an article written by Ivan Hayden, former President of the now defunct Visual Effects Association of BC, the VEA(BC), has been re-circulating.

The article was written in February 2009. It is obsolete and is not relevant to the current climate. Its content is anecdotal relying on second hand opinions. I contacted Hayden to clarify IATSE Local 891’s jurisdiction of VFX work and communicated the same in subsequent meetings of the VFX community in Vancouver.

As a result of an application to certify the in-house VFX team on Battlestar Galactica series, IATSE Local 891 and the Alliance of Motion Picture and Television Producers (AMPTP) negotiated an agreement that recognized certain VFX and CGI work was now covered under the collective agreement. VFX now joined the other 21 crafts that IATSE Local 891 represents. The artists and technicians who were being employed directly by the production The Hole did not realize that their jobs were no longer non-union. Understandably there was confusion as this was the first production where VFX would be within IATSE 891’s jurisdiction.

The Canadian Media Producers Association (CMPA) formerly the Canadian Film and Television Producers Association (CFTPA) had at the time of commencement of production not fully signed off, and it was true details of the agreement were still being worked out. However, the CMPA did finally agree and formally signed in the Spring of 2009. The producers of The Hole were negotiating concessions from the unions due to the escalating non-budgeted costs for now filming in 3D. Perhaps the alleged negative remarks were in response to IATSE Local 891’s resolve to get the best deal for their members.

No one has been or is forced to join IATSE Local 891. If a VFX artist or VFX technician is not a member they can still be “permitted” to work. However, membership is a requirement to access coverage under the Union’s benefit plan. As is done with all other crafts under 891’s umbrella, what is known colloquially as dues check off is collected and it can be deducted on the member’s tax return. The union has a duty to represent all employees that are covered under the collective agreement whether they are union members or non-members. The dues go to pay for that administration amongst the many other benefits union membership provides. Some of the benefits IATSE 891′s members enjoy:

* A minimum rate of pay with ability to negotiate above scale
* Paid overtime
* Contract provisions that exceed the B.C. Employment Standards Act
* Access to grievance and arbitration in case of dispute
* Employer funded Health Benefits Plan
* Employer retirement savings contributions
* Family Services Employee Assistance Program
* Training and scholarships
* Union savings for lower rates on mortgages, banking and cellular service
* Actors Fund emergency assistance

Members of the IATSE 891 VFX department have not reported they are being discriminated against because they are members of the union, and many are currently working union and non-union. VFX production has steadily increased in Vancouver, significantly since 2009. The fear mongering in the article is without foundation. In addition those former Battlestar Galactica VFX employees who have maintained their union membership continue to work in the industry without recrimination.

Finally, the article ends with a pitch for membership fees for the VEA(BC). The VEA(BC) is no longer in existence ceasing official operations last year.